Loss of carbon absorption another impact of drought

The latest issue of Science carries some concerning research showing a reduction in the level of trees/plants to provide carbon sinks for the planet. Drought and changed rainfall patterns have apparently led to this reduction of plant coverage but this in turn places an urgent emphasis on taking steps to replace plant loss as well as develop other alternative methods to capture carbon emissions.

Science 20 August 2010:

Vol. 329. no. 5994, pp. 940 - 943
DOI: 10.1126/science.1192666

Drought-Induced Reduction in Global Terrestrial Net Primary Production from 2000 Through 2009
Maosheng Zhao* and Steven W. Running

Terrestrial net primary production (NPP) quantifies the amount of atmospheric carbon fixed by plants and accumulated as biomass. Previous studies have shown that climate constraints were relaxing with increasing temperature and solar radiation, allowing an upward trend in NPP from 1982 through 1999. The past decade (2000 to 2009) has been the warmest since instrumental measurements began, which could imply continued increases in NPP; however, our estimates suggest a reduction in the global NPP of 0.55 petagrams of carbon. Large-scale droughts have reduced regional NPP, and a drying trend in the Southern Hemisphere has decreased NPP in that area, counteracting the increased NPP over the Northern Hemisphere. A continued decline in NPP would not only weaken the terrestrial carbon sink, but it would also intensify future competition between food demand and proposed biofuel production.

Numerical Terradynamic Simulation Group, Department of Ecosystem and Conservation Sciences, the University of Montana, Missoula, MT 59812, USA.

Mission Ultra Complex: The War in Afghanistan

Australia's involvement in Afghanistan is crystalised in Chris Master's carefully constructed two part documentary 'A Careful War' for the 4 Corners program of the Australian Broadcasting Corporation.
Speaking at the Lowy Institute for International Policy on 30 July 2010, Masters commented that no single media account of this conflict is accurate - the reality of the situation in Afghanistan is rather that there are hundreds of many individual different conflicts being fought throughout cities, towns and villages of that country. Masters also highlighted a weakness of understanding by the Australian public of the 'battle space' being occupied by Australian soldiers serving in that theatre of operations. More than any previous military commitment, Australian soldiers are required to be part fighter, diplomat, anthropologist and social worker - a complex set of skills to utilise simultaneously while still within a combat environment. The ability to continue such an intense and difficult military commitment for several more years and outlast the Taliban will test the resolve of the western powers as well as the Afghan National Army to fill the void once troop withdrawals occur.

Geoengineering to avoid climate change - science fiction or fantasy?

With ongoing debate on the ramifications of climate change on the planet or, in some quarters, continuing doubt as to the validity of the science itself, one aspect which has escaped wider consideration are some of the proposed solutions. While many focus on alternative energy production methods or ways to avoid carbon emissions, a few actually propose further intervention in the earth's climate. One of these is geoengineering or in simple terms using engineering solutions to affect climate change. In science fiction, this is often referred to as terra forming but whether it is science or science fiction, such a direction is fraught with high level risk particularly considering the basis for such proposals are untested and often commercial or 'market-based' approaches seeking a quick fix. The most unusual is injecting sulphur dioxide into the stratosphere to counteract carbon emissions. How sensible is such a proposal? Would this approach only add one more problem to the already existing ones?

Where film becomes too grim....

The art house or alternative film industry has often presented confronting and provocative images of contemporary society and/or political or moral dilemmas. The 2010 Sydney Film Festival which showcases a selection of such films appears increasingly stark as the mid point of the festival is crossed. Winter's Bone is set in the hillbilly badlands of Missouri and provides a grim perspective on a family in an inwards-looking struggling rural community. The Killer Inside Me appearing more like a poor man's version of American Psycho, follows the story of a sociopath murdering deputy sheriff and his brutal way of dealing with women as pawns in a larger plot (although in many ways its not clear what that may be). Women Without Men a more sublime, allegorical Iranian film deals with repression particularly within contemporary Iran especially as it affects women. So many of these films take a dark look at life that at times it seems the genre itself has difficulty in uplifting itself from a sense of depression.

On the screen.... big pictures but few new stories...

The 57th Sydney Film Festival is at its mid point this week and once again offers a mix of films from across the globe drawing also from the other major film festivals of Sundance, Venice, Cannes, Berlin etc. The festival in recent years has been significantly trimmed in duration and numbers of films screened. Perhaps one early observation that can be made is the lack of original screenplays and an almost endless easy-to-see collection of cliches. A few stand-outs are Kawasaki's Rose, a Czech film dealing with the controversial issue of collaborators and totalitarian regimes and Ajami which features inter-related stories in the occupied territories in Palestine. Sadly Australian films such as The Tree and Red Hill lack original imagery and thought, preferring to rely on cliche driven plot lines (although not lacking enthusiasm).

Biennale Bust

The arts calendar has once more swung around with the 17th Biennale of Sydney running from 12 May to the 1st of August 2010. Like many contemporary art festivals increasingly it's the main platform for new media using film, photographic images, computer graphics and modern sculpture to constitute the bulk of mainly large installation works. For the 17th Biennale, 'spectacle' is often a better description than 'art' for the what the general public discover at the various sites. Spread across Cockatoo Island, MCA, the Art Gallery of NSW, Pier 2/3 and Artspace the Biennale offers a variety of spaces as well as works to view. Some visually impacting works by Russian consortium AES+F, Cai Guo-Qiang, Dale Frank, Shen Shaomin contrast with some truly odd films by Amal Kenawy and Katarzyna Kozyra to name a few.
 What can one say about it all ? Its free so that's a blessing in itself.