The 57th Sydney Film Festival is at its mid point this week and once again offers a mix of films from across the globe drawing also from the other major film festivals of Sundance, Venice, Cannes, Berlin etc. The festival in recent years has been significantly trimmed in duration and numbers of films screened. Perhaps one early observation that can be made is the lack of original screenplays and an almost endless easy-to-see collection of cliches. A few stand-outs are
Kawasaki's Rose, a Czech film dealing with the controversial issue of collaborators and totalitarian regimes and
Ajami which features inter-related stories in the occupied territories in Palestine. Sadly Australian films such as
The Tree and
Red Hill lack original imagery and thought, preferring to rely on cliche driven plot lines (although not lacking enthusiasm).
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