Christmas 2016

Christmas - a time when religious and national leaders express their good wishes and desire for a better world, often couched in terms of peace, health and hope for the coming year. The choice of December 25 is associated with the birth of Jesus, the central figure in the Christian faith and part of the Holy Trinity of  Father, Son and Holy Ghost.  The actual date of birth of Jesus is unknown and hence the choice of 25 December originates from the 4th Century AD through the Western Christian Church and recorded in the Gregorian calendar. The Easter Christian Church uses the Julian calendar which would place the date at January 7, however there is little actual disagreement on the date itself. Through the mechanism of the 12 days of Epiphany both the Eastern and Western Churches are, in any case, linked.  The origin of the the use of the 25th December may also be more an influence of the pagan Romans who used this date to acknowledge the start of the Winter solstice. During the early period of the Christian Church, there was various attempts at over-running existing Roman festivals which occured at year-end thus creating an early form of spin doctoring and brand message creation.

Wherever you may be, happy holidays.

Exhibition review - Nude: art from the Tate Collection - Art Gallery of NSW

Pablo Picasso
Nude woman in a red armchair

(Femme nue dans un fauteuil rouge) 1932
oil paint on canvas

For this year's major Summer exhibition, the Art Gallery of NSW has partnered with the Tate Gallery in London to bring a selection of over 100 works representing the nude image over two centuries of art. The exhibition is titled, not surprisingly, Nude: art from the Tate collection.

The exhibition’s main highlight, placed centre-stage is Auguste Rodin’s sculpture The kiss 1901-04 which is being displayed for the first time outside of Europe. Other works of note include Pierre Bonnard’s The bath 1925, Picasso’s Nude woman in a red armchair 1932 (very standard abstractive Picasso), Sylvia Sleigh’s Paul Rosano reclining 1974, Ron Mueck’s Wild man 2005 (as with most Mueck works it's an enormous semi life-like sculpture) and Rineke Dijkstra’s Julie, Den Haag, Netherlands, February 29 1994.

The exhibition is themed in nine rooms in the Gallery with titles such as The Historical Nude, The Private Nude, The Modern Nude, Real and Surreal Bodies, Paint as Flesh and so on. The titles of each segment predominantly correspond to periods of time demonstrating the evolution of the nude through different art interpretations and representations. Given the scale and depth of the Tate collection, this is a relatively small, thin veneer selection of works of major artists worldwide who have used the nude human form.  Although much lauded, Rodin's sculpture, the kiss, is quite underwhelming, as quietly whispered by many members of the Art Gallery of NSW Foundation at a private viewing. Its more representative of the general physical movement of a man and woman kissing whilst in the thralls of an embrace but an awe inspiring sculpture it is not.

The exhibition runs from 5 November 2016 to 5 February 2017.

Donald J Trump's America - 10 reasons why Americans should think about moving to..... Australia

Donald J Trump  - President-elect of the United States

With the election of Donald Trump to be the 45th President of the United States, its understandable that many Americans may be considering where they may wish to spend the next few years. The Canadian immigration website crashed in the first few hours of the election result, but there is another option available and that is - Australia. There are ten good reasons to think about moving to Australia if you're an American of good heart and sound mind -

1.  Australia's political system is understandable to Americans. We have two Houses of Parliament for our National Government - the House of Representatives and the Senate. In fact, this was based on the US system and Congress which we copied. Our national capital, Canberra, was designed by an American, Walter Burley Griffin. We have States and State Governments, just like the US, only smaller and less crazy. 
2. Our voting system is compulsory and if you don't vote, you get a fine. None of this voter registration stuff and the need to get people out to vote. We have a very high turn-out and the silent majority can vote, all the time, so absolute surprises are rare. 
3. You can own a gun here but we have gun control laws - there is no Constitutional Right-to-Bear Arms and assault rifles are banned. You can have a firearm but you're on a register and the police can find you.
4. We have a public health care system called Medicare which is the envy of many people in the US. If you work here and pay taxes, you also pay a contribution called a levy to fund Medicare but everyone is covered. The Democrats in the US wanted the Australian system and even used it as an example in Congress but were unable to get Republican support.
5. We use the metric system like most of the rest of the World. The US does not, so you would need to learn how to measure things differently.
6. We have Australian Dollars which are similar to the US Greenback currency.
7. We have our own football codes and occasionally watch American football but it's not as big here. Our national summer sport is cricket which also uses a bat and a ball similar to baseball - except our bat has a flat surface and the batters don't have to run around a diamond shaped field.
8. We have public transport systems of rail, light rail and buses. Many US cities have similar services but many cut back on this public spending but we think its essential to have it.
9. We have national parks just like the US. In fact, Australia was the second country after the US to establish national parks and protect our flora and fauna.
10. Our official language is English, not so different to American English but its our own version with its own local words. Not too hard to learn

So there it is..... ten reasons why Australia is a good option if a Trump America does not appeal. Our politicians can be a bit silly but nothing compared to the parties with an elephant and a donkey as their logos.

Film Review - Sully

Chesley Sullenberger (Tom Hanks) and  Jeffrey Skiles (Aaron Eckhart)

The circumstances of the landing of US Airways Flight 1549 onto the surface of the Hudson River in New York City following the loss of both engines captured public imagination and created aircraft piloting history. This film directed by Clint Eastwood with Tom Hanks and Aaron Eckhart in the roles as the Captain, Chesley Sullenberger (Sully) and the First Officer, Jeffrey Skiles provides the step-by-step events as they unfolded in the air, the actions taken by the flight crew to save the passengers on the failing aircraft and the consequent inquiry  by the National Transport Safety Board (NTSB).

On 15 January 2009, US Airways Flight 1549 left LaGuardia Airport on route to Charlotte Douglas International Airport in North Carolina. 3 minutes into the flight, the aircraft collided with a flock of Canadian geese disabling both jet engines. With no engine power, limited altitude and no airports in safe distance, Sully decides the glide the aircraft and execute a controlled ditch into the Hudson River. The aircraft design and Sully's expert piloting achieve the almost impossible with an on-water landing without the loss of any crew and passengers. During the following NTSB investigation, multiple computer simulations with experienced pilots reacting under the same circumstances, all crashed when attempting to land at any airport thus confirming Sully's decision to risk ditching into the Hudson River as the only viable option. Successful water landings are, in fact, virtually unknown in aviation history.

Tom Hanks convincingly portrays the quiet, experienced Captain Sullenberger with Aaron Eckhart as the younger but equally professional First Officer Jeff Skiles. The calmness of the flight crew and focus on landing the aircraft successfully was confirmed by cockpit voice recordings which were presented at the NTSB investigation hearing. The live action sequences are augmented  by actual footage of the aircraft itself taken by security cameras on the shoreline and witnesses along the Hudson River as the event occured. Eastwood makes good use of this historical footage merged with the recreated version.

The film has been an exceptional success for Clint Eastwood having the biggest cinema and box office debut in North America and second largest debut world-wide in Eastwood's long career. For Tom Hanks, the film marked the third most successful live-action role he has had career wise. In terms of production costs and investment return, the total cost of $60 million has been more than surpassed by the box office takings which exceed $177.4 million - much to the pleasure of Warner Bros and Village Roadshow.  The film was shot using IMAX cameras and released in both IMAX and standard cinema screen versions.

Sculpture by the Sea 2016 - Exhibition Review

Travelling Bag - Yumin Jing

Sydney's annual sculpture exhibition, Sculpture by the Sea has made is Spring appearance inviting the public to appreciate the dimensional aspects and conveyance of meaning through this art form.

Adaptation - Nihariki Hukku

2016 is its 20th year and perhaps fittingly this year was the first time which the natural elements posed a risk to the exhibition. Unexpected King tides swept onto Tamarama beach and inundated those works located on the beach damaging three and dislodging others from their location. The result was three sculptures were so badly damaged that they had to be withdrawn with  only images on signage remaining where they had once stood. These were not the only ones however which were damaged and other works located on rock platforms close to the seaside also had to be removed.

27 countries are represented this year with entries from India, Germany, Sweden, China, Norway, Italy, Denmark, Brazil, Japan, England, the USA, South Korea, Netherlands, Slovakia, Serbia to name a few. Australia was well represented with roughly half of the entries sourced from this country.  Notably two entries were from sculptors who have passed away. The exhibition is comfortable, predictable and the forms well-executed, however it was safe territory all up. As a free exhibition it is always worth the trip to walk along the coastal path between Tamarama and Bondi Beach.

Manifesto - video installation with Cate Blanchett - Art Gallery of NSW

German artist Julian Rosefeldt has created a series of video installations with Australian actor Cate Blanchett to give visual and audio meaning to a number of the most famous and provocative writings by artists of the modern era. Through a series of monologues edited and reassembled by Rosefeldt, the videos draw on a collage of artists’ manifestos, including declarations by futurists, dadaists and situationists, collected writings by individual artists, architects, dancers and filmmakers such as Sol LeWitt, Yvonne Rainer and Jim Jarmusch.

Blanchett performs in all of these video installations through appearing as 13 different personas including a school teacher, a newsreader, a factory worker, a socialite and a homeless man  exploring the power and urgency of these historical words in the modern world. The monologues are delivered in different settings and locations linked to the identity of each character - from a power plant,  a school room, a manufacturing plant, a television newsroom, a cocktail party lounge room and a family dining room. In one video Blanchett's actual husband, playwright Andrew Upton, features together with their children. Whether intentional or not, Rosefeldt has created a series of parodies of varying strengths and relevance creating an almost bleak and one dimensional of images accentuated only by the absurdity of some of Blanchett's portrayals.  

Manifesto has been  commissioned by the Art Gallery of NSW, the Australian Centre for the Moving Image (ACMI), the Hamburger Bahnhof – Museum für Gegenwart, Berlin the Sprengel Museum, Hannover, and Ruhrtriennale – Festival of the Arts.

The exhibition will be screening until January 2017.

Cirque du Soleil - Kooza - Sydney 2016 - Review

acrobatic performers from Cirque du Soliel - Kooza - Sydney 2016

Kooza from Canada's Cirque du Soleil, currently on tour in Sydney, is one of the performing company's more intimate and old-school style circus acrobatic shows. The Big Top (often referred to as the Grande Chapiteau) is smaller with the seating brought forward around the 260 degree circular stage, the performers extending their activities to aisles closest to and around the audience. The clowns, often used a diversions around set, scene and act changes, are half the show, bringing a stronger interaction with the audience. This is intentional as Kooza's creators are seeking to 'create a scenographic environment that offers true proximity to the audience and where danger is palpable' combined with the two circus traditions of acrobatic performance and the art of clowning.

Initially created in 2007 by David Shiner, Kooza is a strong performance and visual show offering intensity and skill in smaller format than many of Cirque du Soleil's conceptually massive spectacles. The clown characters - The Innocent, the King, the Trickster, the Heimloss, the Obnoxious Tourist and his Bad Dog appear throughout with earthy, sometimes rude but genuine humour (The Bad Dog even managing to lift up his canine leg and do a fake urination on unsuspecting audience members).  The acrobatic acts are superb with many highlights including the lithe Mongolian contortionists in duet; the double decker hire wire act (they ride bicycles along the hire wire and have a fencing match); the jaw-dropping Wheel of Death, the solo chair balance act and the blurred hoola hoop routine to name a few. 

As with all Cirque du Soleil Shows, the custom created sounds are provided by a live 8 piece band with perfectly matched music to each moment of the show.  The set design for Kooza, includes a travelling tower called the Bataclan which moves artists in and out of the spotlight, serves as the bandstand and has two flanking curved staircases. A giant fabric structure call the Void with painted motifs of leaves compliments  the Bataclan with additional fabric sails which opena nd close around the tower. This is a clever and inspired set design of a high order which enables the audience to focus easily on the 50 odd performers on stage.

Cirque du Soleil have produced a masterful show which will be in Sydney until November 2016.