Sydney Film Festival 2021 - Film Review - Parallel Mothers

Milena Smit and Penelope Cruz - Parallel Mothers

 
Acclaimed director, Pedro Almodovar wrote and directed this film which has an odd juxtaposition of a historical backstory and muddled collection of current inter-relationships. Janis (Penelope Cruz) a high end photographer becomes pregnant to her lover, a married war crimes archaeologist with whom she has arranged the excavation of a mass grave from the era of the Spanish Civil War. The mass grave is located in her grandmother's village. 

In the maternity wing of the hospital Janis then meets Ana (Milena Smit) a young woman also having a baby and the two women form a friendship. As fate would have it, the hospital has mistakenly switched babies with the two women unknowingly taking each other's infant home. Janis discovers the mistake but keeps it from Ana while the two become momentarily involved in a lesbian relationship. The archaeologist is still on the scene and comes to visit from time to time but Janis keeps her distance. Ana confides in Janis that her baby has died from Sudden Infant Syndrome until the sense of guilt overwhelms Janis and she admits that her baby daughter is, in fact, Ana's child.

Confusing storyline ? It is.  The underlying theme concludes with the excavation of the mass grave containing the remains of prisoners killed during the Spanish Civil War. A dramatic scene of villagers walking along the road carrying large photos of the dead forms part of the final imagery with Janis and Ana and everyone else seemingly reconciled with each other. A happy ending perhaps.

It's a quintessential Almodovar film but Cruz' talent is somewhat wasted on this script with the convoluted relationships. Principal photography provides an attractive image of Madrid and Spain itself but there is a sense of the audience being lectured in the screen writing.