Wednesday, 17 December 2014

Film Review - The Water Diviner - Russell Crowe

Russell Crowe as Connor searching for his surviving son - The Water Diviner
Russell Crowe's first credit as a film director (while also being one of the lead actors) is an impressive effort with The Water Diviner.  Shot on location in Australia and Turkey with a joint Australian/Turkish cast and crew, a reported $9M budget and a good interplay between backstory flashbacks juxtapositioned with current scenes, this is a technically well crafted film.

A period piece set after the conclusion of World War I and four years after the disastrous Gallipoli campaign, Australian farmer, Joshua Connor (Russell Crowe) has left his farm and travelled to Turkey to the Gallipoli battlefield in search of the remains of his three sons, believed to have been killed in action. Turkey, as the centre of the defeated Ottoman Empire, is under Allied Occupation but Connor receives little support for his quest from the British authorities in Istanbul. While staying at his hotel in the Turkish capital he is treated sympathetically by Ayshe (Olga Kurylenko) the Turkish widow of the Hotel's owner, and provided with advice how to reach Gallipoli without an official travel permit.

Connor reaches the Gallipoli shore to find an Allied Graves Unit commanded by an Australian officer (Jai Courtney) engaged in the recovery and registration of soldiers remains assisted by two liaison staff from the Turkish Army. It is at this point the story takes a twist as Major Hasan (Yilmaz Erdogan) the senior Turkish liaison officer discovers one of Connor's sons survived as a Prisoner of War and may still be alive. Connor's quest to reclaim his lost sons from the battlefield becomes a mission to rescue his surviving son as the Ottoman Empire disintegrates. Added to the mix is the growing romantic interest between Connor and the widow, Ayshe.

The Water Diviner has graphic violence due to the flashbacks of hand-to-hand combat at Gallipoli and later the invasion by Greece of Turkey's border region where Connor must travel to search for his surviving son. The film's plotline and representation is very sympathetic to the Turks and portrays the Greeks in an unflattering light which no doubt will add some controversy to an otherwise clear linear perspective. There is some inconsistency as Connor moves from grieving father to action man almost instantaneously in the later part of the film and stereotyping of some characters, most notably the British. Of note, the film is almost complimentary to Australian Director, Peter Weir's 1981 film classic 'Gallipoli'.  This is a film for cinema viewing rather than DVD or download.

1 comment:

  1. That movie twists the real history events. Turks made genocide to Greeks and Armenians who were living for centuries to their homelands and wanted their liberty. Having said that, Crowe was very impressive in the film.

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