The Photograph and Australia - Exhibition Review - Art Gallery of NSW - 21 March to 8 June 2015

 

Migrants arriving in Australia - David Moore, 1966

The Photograph and Australia is the most substantial large-scale thematic photographic exhibition that has been held in Australia for the past 25 years. Covering the period from the 1840s to 2015 and drawn from 35 private and public collections from across Australia, New Zealand and the United Kingdom, the exhibition investigates the role that photography has played in shaping Australians views of the world, themselves and each other. The exhibition explores four themes: settler and indigenous relations; exploration; portraiture; and transmission being spread over nine rooms in the main temporary exhibition space at the Art Gallery of NSW.  The images in the exhibition trace the evolution of the photographic medium and its many uses covering documentary, commemorative to speculative and conceptual while posing questions about how Australia has been represented and imagined through photography.

The nine rooms in the exhibition are separately titled with sub themes: Self and Image; Imaging Place; People and Place; Picturing the colony; Cities and Communities; Becoming Modern; Critique; Technology; and Time and Transmission.  The selection of works contains some of the earliest examples of photography from the mid to late 19th Century hence special dimmed lighting enables ease of viewing.

Artists represented include Morton Allport, Richard Daintree, Paul Foelsche, Samuel Sweet, JJ Dwyer, Charles Bayliss, Frank Hurley, Harold Cazneaux, Olive Cotton, Max Dupain, David Moore, Sue Ford, Carol Jerrems, Tracey Moffatt, Simryn Gill, Robyn Stacey, Ricky Maynard, Anne Ferran, David Stephenson and many others.

This is a must-see exhibition which has been in the planning for over four years and contains many unique and fragile works rarely seen in public. The exhibition runs until 8 June 2015.