Sydney Film Festival 2014 - Film Review - In Order of Disappearance

Shoot-out at the snowplow shed - In Order of Disappearance

Scandinavian films, particularly from Norway, Sweden and Denmark often use satire, irony and unpredictable extreme violence to great effect in dark humoured storylines leaving audiences unsure as to whether to laugh or be shocked. Thus it is with In Order of Disappearance from Director Hans Petter Moland, a film which moves a fast pace with drastic results. The storyline follows Nils, (Stellan Skarsgard) who runs a snowplough through the mountain roads of Norway in Winter and his quest to avenge the murder of his son by drug dealers. Nils uncovers the trail of his son's murderers leading to the vegan drug-gangster 'The Count' and along the way various members of the Count's gang are dispatched by Nils by different creative methods with the advantage of heavy machinery and beginners luck. Unaware of Nil's quest, The Count assumes the other local crime group run by the Serbian mafia are responsible and a turf war breaks out between the two groups until it becomes obvious that another party is involved. Bruno Ganz is 'Papa', head of the Serbian mafia, Pål Sverre Hagen is hilarious as 'The Count' and together with Nils form the three protagonists in the plot. A film for those who appreciate Norwegian humour.

Sydney Film Festival 2014 - Film Review - Begin Again - Keira Knightly

Keira Knightly (guitar) Mark Ruffalo (headphones) Begin Again

As far as a feel good, light, fluffy film, Begin Again falls within that category of story and genre. Is it a music drama film or a music comedy film ? At various times it could be either or neither. Or perhaps it's just meant to showcase Keira Knightly's ability as a singer with an acoustic guitar. Screenwriter and director John Carney has provided the perfect 'lost souls find direction with each other' theme with this story: Gretta (Knightly) has flown to New York with her songwriting partner and boyfriend Dave (Adam Levine) when a major label offers him a contract. Soon after he abandons her for the trappings of fame and a friend convinces Gretta to do a live performance in a small down market music bar. Enter disgraced record executive Dan (Ruffalo) who, down on his luck, happens to chance upon her in the bar and is captivated by her musical ability.  With his music industry contacts, Dan manages to record a demo album with Gretta in the open air which embraces New York's sounds and environment. The two of them rediscover their direction through the experience. If nothing else this film demonstrates that Keira Knightly has quite a lovely melodic singing voice.

Sydney Film Festival 2014 - Film Review - Snowpiercer

The front of train and engine compartment in Snowpiercer

Snowpiercer is a Sci Fi film with a strong social critique built into its theme whilst maintaining a high level of violence which often characterises South Korean films. Director Bong Joon-Ho (who also directed the monster movie The Host) has delivered a visually impacting film with an experienced cast including Tilda Swinton, John Hurt, Chris Evans, Jamie Bell, Ed Harris, Octavia Spencer and Song Kang-Ho. The storyline concerns the last refuge of humanity following an experiment to halt global warming which plunges the world  into a new ice age. The sole survivors on Earth are crammed into a giant multi-level train known as Snowpiercer which perpetually circumnavigates the globe with the poor located in the back of the train while the wealthy live in splendour in the front compartments and carriages. After many years the poor stage a rebellion to take control of the train and share the resources.  As they battle their way forward through various compartments, there are a number of quirky images and social observations which come to light (a carriage with a night club with stoned patrons, while another has a sushi bar are some of the sights).

The film is in multi language format, mainly English but with Korean, Japanese and French using English subtitles. The use of high end CGI is impressive and with extensive sets and a large cast, the film has high production values. It is a quirky film with a mix of images that seem reminiscent of Mad Max, The Road, Soylent Green, and various other end-of-world films and books. This is a film which is more of an acquired taste rather than an immediate winner.

Sydney Film Festival 2014 - Film Review - Calvary

Brendan Gleeson as Father James - Calvary

Calvary can best be described as a dark film and represents a departure from many of Brendan Gleeson's most recent roles. Director John Michael McDonagh who also directed the brilliant black humoured film, The Guard, which also had Brendan Gleeson in the lead role, has taken a decidedly different approach with this story. Gleeson's role is as Father James, a Catholic priest, who is threatened with death during confession by one of his parishioners, a victim of sexual abuse as a child. The would-be assassin has decided the only method to address this matter is to kill an innocent priest and he gives Father James one week to get his personal matters in order. The timeline of the week is followed in linear fashion as Father James confronts the motley collection of villagers, each of whom may have a reason to assassinate him. During this time, Father James must also reconcile with his own adult daughter who has suffered from drug addiction but is now seeking to rebalance her life.

Described as a 'twisted humorous journey' or 'blackly comic drama', this film is quite stark and is closer to brazen satire than humour with a devastating conclusion.

Sydney Film Festival 2014 - Film Review - The Lunchbox

Irrfan Khan - The Lunchbox

Director Ritesh Bantra has had a major success with his indie film, The Lunchbox which mixes romance and food together in the context of Mumbai's remarkable lunchbox delivery system. Only one in four million home-cooked meals which are transported via a multi-person courier system are believed to be incorrectly delivered. For this film, the one wayward meal links a housewife, seeking to impress her husband, with a widowed office worker in the insurance industry on the verge of retirement. Ila, the young housewife (Nimrat Kaur), is trying to use her cooking to reach out to her emotionally distant husband and inadvertently her delicious meals are delivered to the solitary, disillusioned office worker Saajan (Irrfan Khan) which triggers correspondence between the two via the lunchbox. This creates a rich fantasy for them both and an appraisal of their respective lives. The film also delivers an array of social observation on class, caste and social standing in Indian society.

For those who often find Indian films either too long or Bollywood soap-operish in style, The Lunchbox is a welcome departure and a delight to watch. Well paced with masterful acting by its lead actors, the story transcends different nationalities and cultures.

Sydney Film Festival 2014 - Film Review - Words and Pictures

Juliette Binoche and Clive Owen - Words And Pictures

Veteran Australian film director, Fred Schepisi has returned to the screen with his latest work being a romantic drama with well established actors Juliette Binoche and Clive Owen in the two lead roles. The story is set in an elite private school and teacher Jack Marcus (Clive Owen) is faced with compound challenges - writer's block, developing alcoholism and poor work relations with his fellow teachers have led to a review of his position at the school. Into this situation comes new art teacher Dina Delsanto (Juliette Binoche) who suffering from chronic arthritis is unable to paint. The two teachers commence a rivalry and war over which is more powerful, pictures or words and the school and its students are drawn into the contest. As the competition between the two evolves, so does their romantic entanglement with the resulting complexity leaving the two damaged artists with little option but to confront their fears. This is a standard romance/protagonist plot with predictable developments and rather stereotypical characterisations and, surprisingly very average fare for director Schepisi.

In terms of characterisation, Owen's character, Jack Marcus is irritating and to a large degree creates a distraction in the plotline of the story. Binoche's Dina is brittle but more measured and is closer to the mark. Words and Pictures will ultimately fall into the recesses of Fred Schepisi's back catalogue of work.

Sydney Film Festival 2014 - Film Review - 20,000 Days on Earth - Nick Cave

Nick Cave - 20,000 Days on Earth

Fans of Nick Cave's music and performances will enjoy this partial staged, highly stylised and scripted documentary from film-makers and artists, Iain Forsyth and Jane Pollard. The film is set to the narration of Cave himself and includes visits to his archive, a revealing session with his therapist and a variety of conversations with his friends and collaborators including Ray Winstone, Blixa Bargeld, Warren Ellis and Kylie Minogue.  The film also includes footage taken when Nick Cave and the Bad Seeds performed live at the Sydney Opera House demonstrating the high level of audience devotion which Cave and his creativity have inspired. This is a film for Nick Cave devotees and serious documentary viewers will find Forsyth and Pollard's use of reenactment, Cave's over introspective manner and the odd use of Cave being a driver when talking to any of his friends and collaborators (while they are sitting in the back seat of his car as passengers) as artificially staged. It is nonetheless an entertaining art film rather than documentary and provides an insight into Cave and his work both as a musician and wider ranging sound artist.