2020 - the year ahead

                                                                             Shutterstock

As 2019 draws to a close and the new year beckons, it is timely to reflect on the year past and the challenges coming in the year ahead. Above all else there are two which come to mind immediately being first, the economy (defined both international and domestic) and second climate change - which continues apace. These two challenges are inter-related in any case and deserve a holistic set of solutions which a range of governments seem unable or unwilling to address.

Solutions for the environment need to encompass an array of issues including energy generation policy and distribution networks, materiels usage and life cycles (across all manufacturing sectors), further development of renewable energy and reduction in fossil fuel reliance and of urgent attention, climate change adaptation for food production and general living. Without all of these matters being addressed concurrently, life for human beings on this planet will become increasing difficult with a potential 4C temperature increase now a viable possibility.

As far as the world economy can be viewed, the two major influences are Brexit and the US/China trade war. Brexit may be less pronounced than first thought as the European Union has already advised that it intends to press ahead with a Free Trade Agreement with the United Kingdom as soon as Brexit is finalised. The US/China trade war has led to repeated renegotiation and has not, as yet, eventuated into a complete trade suspension and is mainly a tit-for-tat use of tariff measures. Around the world however low wages, low inflation, low productivity and low interest rates are closer to stagflation than recession.

On the international relations front, 2020 will begin with the ongoing matters from 2019  - Brexit, the US/China trade conflicts, some scale back in the Syrian war due to the likely success of the Assad Government in finally winning the civil war and the ongoing internal violence in Afghanistan and Iraq. China will continue to press its claim to the South China Sea and North Korea, although quiet at present may resume some further missile tests.

Happy new year !

Saint Nicholas - the original Santa Claus

Saint Nicholas - defender of the faith

Shopping centres have live dress-up versions for children to have their photo taken with; large inflatable dummies are available as Christmas decorations; and streets are festooned in reindeers, sleds and a large, jolly, laughing man with a beard dressed in a red outfit. Santa Claus. Otherwise known as Saint Nicholas.

Who was the real Saint Nicholas ? He is considered to have been the Bishop of Myra, located in modern day Turkey, but a Roman town in the late third century AD. During this period, he was imprisoned during the Great Persecution in 303 AD and was only released when the Emperor Constantine issued the Edict of Milan. Nicholas was known to be the defender of Church doctrine and not so easily dissuaded from his faith. He died around 343 AD however over the centuries since, his fame has grown to the extent that it has become independent of the Christian origin. He is known as the patron to many groups of people from sailors, orphans and prisoners but especially children and the fables record his generosity with gifts and miracles he performed. During the Middle Ages, his image assumed a distinctively European deity form with both Roman and Norse characteristics.

The oft-used picture of Saint Nicholas as a bearded man dressed in a red, fur-lined coat  from the North Pole is a very recent one from the 19th Century originating predominantly in North America. This image has migrated back to Europe and been accepted as the cultural norm. He was closer in fact to the one portrayed above which also to an extent is more of the Romanticist portrayal.

At this time, perhaps the strong, committed example of Saint Nicholas has an application well beyond the Christmas season.

Sydney Film Festival 2019 - Film Review - The Souvenir

Honor Swinton Byrne at her typewriter - The Souvenir

The Souvenir by UK film maker Joanna Hogg won the Grand Jury Prize at Sundance this year. Why ? This rather muddling film which apparently is based on aspects of Hogg's own life is neither particularly 'dream-like' or visually arresting but rather stretches the level of credibility of the plotline and the characters. This is a pity as the film has considerable potential which is unrealised in many respects.

The plotline follows  Julie (Honor Swinton Byrne), a film student from a privileged background  who meets Anthony (Tom Burke) an older, somewhat charismatic man who claims to work for the Foreign Office. Anthony seems to be interested in the subject matter of Julie's proposed film on the harsh social situation in England under Thatcher. Unknown to Julie, Anthony is a heavy heroin user which seems to register very little with Julie when the truth is revealed to her. Does she understand the drug scene ? Does she know what heroin is ? She is seemingly unaware throughout this story.

In terms of performance, the blank shopfront mannequin expressions of Swinton Byrne convey very little in meaning and emotion. Tom Burke is a more interesting performance as the foppish conman Anthony however his mannerisms become increasingly irritating. Julie's mother (Tilda Swinton, the real life mother of Honor Swinton Byrne) is wasted by being given a vacuous, unworldly character. All in all, the film looks and feels more like a graduate film student work rather than one for cinema release.

Sydney Film Festival 2019 - Film Review - The Dead Don't Die

(left) Adam Driver and Bill Murray - The Dead Don't Die

Independent director and screenwriter, Jim Jarmusch has created his own version of the zombie genre with this strange, oddly humorous and bizarre film set in the fictional town of Centreville, population 738. Not much happens in Centreville with its one diner, one motel and enormous funeral parlour.  The world has become unbalanced due to polar 'fracking' according to the new reports and  the local police led by Bill Murray feel something odd is going on. As the zombies arise from their graves, the townsfolk arm themselves for the apocalypse.

In addition to the key cast of Adam Driver, Chloe Sevigy and Bill Murray as the local police, there is a parade of characters with well established names including Danny Glover, Selena Gomez, Luka Sabbat, Iggy Pop, RZA and Tom Waits. Tilda Swinton swings through as a samurai sword wielding funeral director (reminiscent of Uma Thurman in Kill Bill) decapitating zombies before being whisked off in an UFO.

Jarmusch devotees will recognise his unique social observational almost spoofish style with this film that should be viewed more than once due to the multi-layering of the script. 

Sydney Film Festival 2019 - Film Review - Palm Beach

Palm Beach 

Director and screenwriter, Rachel Ward commented on stage at the Sydney Film Festival, that the idea for this film came from holidaying overseas with friends where they were discussing  the topic of entering the last quarter of their lives and all the aches and pains which comes with the stage of life.

So this film is essentially about a group of grumpy middle-aged couples and others swanning around in Palm Beach  (a Northern beachside suburb of Sydney for the rich and famous and the rich and not-so-famous) at a three-day party, reflecting on their expanding waistlines and building an outside pizza oven in the garden in the one of the principal characters of the story. The ageing males in this film had once had a one-hit wonder band (called 'The Pacific Sideburns') hence their association with each other.

In essence this film could be better titled 'Friends and acquaintances' for essentially it's a group of the in-crowd of the Australian acting profession. The cast includes Bryan Brown (husband of Rachel Ward), the perennial honorary Australian, Sam Neill, Greta Scacchi, Jacqueline Mackenzie, Heather Mitchell and the non local, Richard E Grant. The film is described as a light-hearted, uplifting drama/comedy but really its a bit tedious and seems more representative of the social bubble that is Palm Beach. The  scripting is very so-so and fully predictable. Bryan Brown acts, well... as Bryan Brown. Sam Neill is present on-set. Perhaps the party was real and there was bit of acting thrown in for good measure ?

Sydney Film Festival 2019 - Film Review - Children of the Sea - Japanese Anime

Director Ayumu Watanabe's visually beautiful, Children of the Sea illustrates the mastery of this form of animation by the Japanese industry with the anime genre. The film presents a magical seascape for the setting of an adventure of momentous proportions for the young girl Ruka and her new and mysterious friend Umi, a boy who seems strangely at one with the sea. Umi is not alone for he has an older brother, Sora who is weak and sickly yet both he and Umi possess powers of affinity with sea creatures far beyond a normal person. All of them notice a strange song traversing the oceans, luring all sea creatures to a specific location in the ocean. The importance of the impending event is the focus of this film.

Watanabe's work not only has exquisite detail in the background and settings but portrays all manner of ocean life from the well-known to the recently discovered species by marine biologists. This is a well research film. The voice-overs for the characters are provided by experienced child actors Mana Ashida, Hiiro Ishibashi and adult musician, Goro Inagaki.

Although classified as a film for all ages, the mythical story telling and use of science is better suited to the teen and adult market. At 110 minutes running time, the film is well paced, magnificent adaptation of the original manga of the same name by Daisuke Igarashi.

Sydney Film Festival 2019 - Film Review - Monos

Monos

Colombian director, Alejandro Landes skilfully brings the reality of civil war, the use of child soldiers and the plight of many Latin American nations to the screen in his provocative film Monos. Set in an unnamed country with lush visuals in cloud top mountains and dense jungles, the film follows a troop of teenage fighters who have been tasked with guarding a hostage adult prisoner (a female engineer referred to as 'Doctora') whilst also protecting a ruined defensive concrete bunker complex.

Answering to a shadowy group called 'The Organisation' and an adult controller (who operates more as a drill instructor and ideological cadre) order and discipline in the troop breaks down after a series of missteps and the escape of their hostage. Left much to themselves with only occasional contact from their controller and communication via a military radio, a Lord of the Flies feral theme becomes the foundation of this story.

The seriousness of their situation becomes only too apparent when an Army offensive forces the larger adult resistance fighters to retreat back to the bunker complex and the young fighters are instructed to fall back to a position deeper in the jungle. This is film which displays raw emotion, high level but not gratuitous violence and masterful portrayal of the breakdown of inter-relationships. A young cast provide the realism needed for the story set to the backdrop of stunning visual photography and an evocative music score by Mica Levi.

Monos