Opera Australia - Attila by Verdi - Opening Night

Attila - Taras Berezhansky   (c) Opera Australia 

Verdi's Attila is a lavish, large-scale production with strong elements of violence and war. Audiences will find its as much about Italian Nationalism as the vague romance around which much of the plot is constructed. Verdi's work has been described as 'thinly veiled argument for Italy's independence from Austria' and 'an out-and-out rallying cry for an independent, unified Italy' having been written around 1846.

The opera, in three Acts, tells the story of invasion of Roman Italy by Attila the Hun with the current version being moved from 5th Century Italy to fascist Italy of the 1930s. For that reason 'the Huns' look closer to German soldiers or the Gestapo than barbarians. The Italians similarly are portrayed in a manner closer to 20th Century partisans than actual Roman soldiers from that earlier era.

The storyline of the opera in summary: 

Odabella, the daughter of the Lord of the now destroyed town of Aquileia, has been captured by Attila's forces however he is impressed by her and gives her his own knife as a keepsake. The Roman general, Ezio seeks an audience with Attila to reach terms but is rebuffed. Meanwhile away from the town, Foresto who is engaged to Odabella is leading the refugees away from the destroyed town and plotting how to regroup. Foresto believes Odabella to be dead but on learning of her survival accuses her of betrayal which she denies and states that she is plotting to kill Attila. 

Attila plans to march on Rome but asleep one night, he dreams of being urged not to do so by an old man that he later recognises to be Pope Leo I. Attila therefore instead invites Ezio to a banquet and plans to marry Odabella however Ezio and Foresto are planning to attack Attila. Following the banquet, the Romans attack Attila and Ezio, Foresto and Odebella find Attila whereupon Odebella kills Attila with the knife he had given her. 

Opera Australia has brought this opera back on stage after having its initial season cut short by the impact of the COVID-19 pandemic and it's a welcome continuation of the performance. For the Opening Night, many in the audience attended in Black Tie and there was a smattering of A lister opera enthusiasts and Government Ministers including retiring Health Minister, Brad Hazard and NSW Treasurer, Matt Kean. The retiring artistic director of Opera Australia, Lyndon Terracini, sitting in the audience, was given a enthusiastic round of applause for his 13 years with the opera company with Attila being his final production.

At the conclusion of the opera during the curtain call, lead singer Taras Berezhansky, who is Ukrainian, draped the Ukrainian flag around his shoulders and was given a rousing sustained round of applause from the audience.

The cast for Attila were -

Taras Berezhansky as Attila

Natalie Aroyan as Odabella

Diego Torre as Foresto

Michael Honeyman as Ezio (replacing Mario Cassi who was unable to travel to Australia due to illness)

Virgilio Marino as Uldino

Richard Anderson as Pope Leo 1

Queen Elizabeth II: 21 April 1926 - 8 September 2022

                                                                                                                             Shutterstock

 

Sydney Film Festival 2022 - Film Review - Fire of Love

Fire of Love

 
Documentary film maker, Sara Dosa, has compiled this portrait of the late vulcanologists, Katia and Maurice Krafft based on thousands of hours of spectacular 16mm footage that the couple shot on numerous volcanoes before their deaths in an eruption near Japan's Mount Unzen in 1991. The Kraffts were prolific in their filming and recording with Katia in particular spending considerable time after expeditions converting their work into books, films and lectures.  They were almost fearless in coming in close proximity to the objects of their study whether it be camping on a solid crust plateau inside an active volcano, rowing in a rubber boat on a lake of sulpheric acid, avoiding flying boulders, standing in the sea close to a small lava flow meeting the ocean or simply cooking eggs in a fry pan on the crust of a slowly cooling lava flow.

The Kraffts were signficant scientists in their field, Katia being a geochemist and Maurice, a geologist, they contributed significantly to understanding volcanoes and how best to measure activity to enable a warning system to be developed ensuring local populations can evacuate before an eruption. They classified volcanoes into two types based on plate tetonic theory: red volcanoes that are less volatile with mainly impressive jets of lava and associated flows located where plates pull apart; and brown volcanoes, usually violently explosive, located where plates grind together.

The footage is both stunning and terrifying with the Kraffts telling their own story on camera or their words are conveyed through the voice of Miranda July as Narrator.

Sydney Film Festival 2022 - Film Review - The Phantom of the Open

Mark Rylance (right) in The Phantom of the Open

Within any major film festival there is always a need for a light hearted absurdist film to be included in the screenings, more so when the story is anchored in true events. This film fits that slot. Based loosely on the real life of would-be tournament golfer Maurice Flitcroft, the story follows the successful effort by Flitcroft, a crane driver, to enter the British Open although he had never played golf in his life. 

With the support of his wife, his disco dancing twin sons and a somewhat dubious co-worker, Flitcroft finds his way through the entry obstacles to enter the competition and produce the worst round in the history of the British Open. The eternal optimist, Flitcroft does not leave this as his sole effort and continues to seek further entry to this World ranked sporting event. The film follows the almost cat and mouse moves between British Open officials and Flitcroft as they try to keep him away from the golfing competition permanently.
 

A highly experienced cast support film director, Craig Roberts to give effect to this 'fact is stranger than fiction' story. Sir Mark Rylance is Maurice Flitcroft, the versatile Sally Hawkins as his wife, Jean, Jonah and Christian Lees are Flitcroft's twin sons (disco dancing being their forte) and Jake Davies as his step son who initially rejects his father's golfing efforts but eventually supports them.   

This is an amusing, light hearted film and a welcome theme in the current serious world.

Sydney Film Festival 2022 - Film review - Navalny

Alexei Navalny with photos of his would-be assassins

Documentary film maker Daniel Roher brings this very topical portrait of Russian Opposition Leader, Alexei Navalny, to the screen and introduces him to a wider international audience than may have been the case otherwise. In 2020 Navalny sensationally survived an assassination attempt by a hit team from Russia's security agency, the FSB using the nerve agent Novichok while he was visiting Siberia. He was able to recover in Germany through the efforts of his wife and international pressure whereupon it was discovered that the nerve agent had been used on him. Russia consistently denied all such allegations.

With the assistance of online investigation agency, Bellingcat, all four agents were completely identified and shown to have stalked Navalny for a number of years. With key contact details sourced by Bellingcat journalist Christo Grozev during this film, Navalny was able to phone each of them direct until one agent, under the impression that Navalny was from within the security service, divulged most of the details of the operation. It's a stunning and breathtaking set of statements captured during the filming. 

Also interviewed in the film are Navaly's wife, Yulia (a key person in her own right) their adult children, his media adviser and his chief-of-staff. Navalny is shown to be a charismatic lawyer who does not shy away from difficult questions and enjoys strong support in Russia. This makes him the key target for Russian president Vladimir Putin who refuses to even mention his name when asked. On arrival back from Germany, Navalny was arrested and sent to a penal colony facing 20 years imprisonment.

Given Putin's autocratic rule in Russia and the war again the Ukraine, this documentary could not be more pertinent. It is a must-see film to better understand the severity of the forces that Putin deploys in Russia.

69th Sydney Film Festival - 2022 - in full swing

 
The Sydney Film Festival has returned in full for 2022 shaking off the effects of COVID-19 and being staged with 14 screens in multiple locations in Sydney including its main venue, the State Theatre with satellite film screenings located at Event Cinemas, Dendy Newtown, Palace Cinemas, Ritz Cinemas Randwick, Hayden Orpheum Cremorne, Casula Powerhouse and the Art Gallery of NSW.

Full deatils can be found at this link: Sydney Film Festival

Sydney Film Festival 2022 - Film Review - Baz Luhrmann's "Elvis"

Austin Butler as Elvis Presley in Elvis

 
For any film director the prospect of creating a biopic around a cultural icon such as the late Elvis Presley is always a daunting and high risk venture. Will the film do justice to its subject ? Will the legion of Elvis fans accept the representation of 'The King of Rock and Roll' as shown in the film ? Is there a proper balance between the undoubted talent of the man and his ultimate decline ? Australian film director, Baz Luhrmann has made a valiant and generally successful effort with this high production values film which focusses on the ascent of Elvis Presley from his initial performances to becoming a major international star prior to his decline in health and ultimate death in 1977. Presley was only 42 years of age. 

Luhrmann's rumoured $200M budget production was filmed on Australia's Gold Coast with a predominantly Australian cast and crew. As a biographical musical drama there is a strong concentration on the actual Elvis' music and performances many of which were documented events in themselves. Perhaps the most unusual element is the fact that narration in the film and the perspective taken is from the view of Elvis' manager, the controversial Colonel Tom Parker. Parker remains a controversial figure to this day for his financial exploitation of Elvis with seeming control and manipulative restriction of his performances in the United States. 

The key cast members are American actors Austin Butler (as Elvis), Tom Hanks (as Colonel Tom Parker) with the largely Australian cast including Olivia DeJonge (as Priscilla Presley), Helen Thomson (as Elvis' mother Gladys) Richard Roxburgh (as Elvis' father, Vernon) and David Wenham (as musician/singer Hank Snow). 

The final ten or so minutes of the film use archival footage of the real Elvis Presley at the end of his career.

With a running time of 159 minutes, this is a film for those who enjoy the music and style of performance of Elvis Presley. Luhrmann has succeeded in executing a very capable and entertaining production.